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What I thought will be quite a chaotic roll, turned out to be quite a surprise.
mijonju from Japan sent me this roll of Sensia 100 for our doubles collab and it was only when I was loading the roll into my LOMO LC-A+ that I realized that he did not mark the begining of the first frame.
When I finished the roll and collected it at the lab, the guy at the lab gave me that funny look. Oh yeah … all the frames were all sticking and overlapping. It was pretty hell trying to crop out the individual frames and after a while … I decided to take a ‘shortcut’ and scan few of the overlapping ones together to get a pano format instead.
What better way to spend some quality time with your family than to share what you love with them? For this photo series, I encouraged my mother to get back to her analogue roots and gave a roll of Lomography film and a Simple Use Reloadable Film Camera to document our time together.
Thought about trying out the 110 film format anytime soon? Read our third edition of Lomography Newcomers and allow @tinyframetales to convince you to give it a shot as you fall in love with its tiny charm.
When a camera gives you double your frame it's the perfect opportunity to turn those 72 shots into something unexpected. For today's tipster, we have a quick and fun idea for making unconventional portraits.
Jump outside of your comfort zone and take sensationally striking shots with the signature bokeh of the New Petzval 55 mm f/1.7 MKII! Available in Brass, Black Brass and Black Aluminium finish!
We invited Hong Kong photography enthusiast Calvin Fu to be one of the first to experience our new art lens. He diligently captured shots of the same scene with the three bokeh effects to compare them! Let's take a look at how they turned out!
This time it's the turn of Lomographer Jacqueline Badeaux to share a meaningful photograph with us. She chose to tell us about this gritty and grainy double exposure, taken with the Lomo LC-A+ and exploring themes of "impermanence, alchemy, dream, and nostalgia".
Indonesian photographer Andry Dilindra recently got his hands on a roll of the new LomoChrome Color ’92 ISO 400 film, shooting it from morning to evening to test a variety of light conditions. Check out his results and read his thoughts in this interview!
Ignite the legacy of a fascinating but forgotten scientist, Ibn al-Haytham, and become a master of light with this unique lens designed for spherical aberration control on full-frame mirrorless cameras. Shipping Live Now!
The sun's out and so should our film cameras be! In this article we've listed a few fun, classic and experimental photo styles to give you inspiration for your summer shenanigans with the help of our creative community members.
Building a healthy habit of cleaning your camera will ensure a longer lifespan for your gear. If your camera is in a dire state and desperately needs to be spruced up then this tipster is for you.
Shooting medium format can often feel like a serious business, especially with a precious roll of the new LomoChrome Color ’92 120 ISO 400 in your camera. But it’s time to take the fear away with these helpful tips to increase your confidence and get the most out of your medium format experience.
The Lomomatic 110 is your compact companion for every adventure! Featuring a glass lens, automatic exposure, day and night aperture modes, controllable ISO settings and a flash, get ready to capture your memories in vibrant, super-sharp 110 frames, with a depth of field you’ve never seen on a 110 image ever before!
It’s time to get your hands on our newest film camera, the Lomomatic 110! Perhaps you’re asking yourself, what to capture with this tiny pocket camera? Here's a quick guide to get you inspired!
A while back, we sent photographer Brian Cho one of our Atoll Ultra-Wide 2.8/17 Art Lenses to test out, in a place none other than New York City. He's here today to chat with us about what he's been up to and his experience shooting with the lens!
In his images, Carl-Mikael Ström endeavors to achieve honesty and a world beyond language. He asks the question, "What can be shown, but not said?" We spoke with him about reckoning with creative limitation and possibility in his last two projects.
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