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Testing the Creative Possibilities of Multiple Exposure with the Lomo’Instant Automat Glass and Splitzer Lens
written by macasaett on 2024-03-21 #gear #tutorialsSplice, slice, and roll the dice with the Splitzer Lens of the Lomo'Instant Automat Glass. Craft thoughtful layers and materialize your multiple exposure visions into instant images all within 90 seconds.
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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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The Lomography Philosophy – A Chat with Indonesian Shutterbug Alvin Sebastian (@spidey27)
written by sylvann on 2024-03-25 #gear #peopleIndonesian shutterbug Alvin Sebastian (@spidey27) chats with us about his experience with Lomography cameras, and his adherence to the first of Lomography's 10 Golden Rules – take your camera everywhere you go!
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Portrait Photography with the Fisheye No. 2
written by kylavillena on 2024-03-16 #gearThe Fisheye No. 2 captures life with a unique distortion and disorienting compositions. This may give you the impression that the Fisheye effect wasn't meant to be applied on portraits, but let these photos prove that wrong!
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Lomography Partners: Nurum of Jakarta, Indonesia
written by alexgray on 2024-03-26 #partnersLomography has film partners all over the world and this time we present to you Nurum from Jakarta, Indonesia.
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Lomography Partner Sheep Film Shoots with the Diana F+ 120 Camera
written by alexgray on 2024-03-15 #gear #partnersAs part of our mission to save 120 film we invited our partners at Sheep Film from Hat Yai, Thailand, to try out the Diana F+ and share their experience with us. Check out these soft and peaceful shots of everyday scenes and hear about Sheep Film’s hopes for the future of medium format.
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