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Kurtis Ehnle: Turning Mexico Into a Dreamland on LomoChrome Turquoise
written by alexa_alexiades on 2024-04-08 #people #placesPhotographer Kurtis Ehnle travelled to Cancún, Mexico, equipped with LomoChrome Turquoise film in both 120 and 35 mm formats, turning an already vibrant place into a colorful dreamland.
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Amp Puttipong's First Impressions of the Lomomatic 110 Camera
written by aomschll on 2024-04-02 #gear #peopleThai street photographer Amp Puttipong tests our brand new Lomomatic 110 camera. He makes full use of the Lomomatic’s many creative features, and rediscovers the charm of the 110 format. Check out his photos and read about his first impressions!
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Life in LomoChrome Purple with Community Member @nermantas
written by sylvann on 2024-03-29 #culture #people #placesThe color-shifting aspect can easily become the point of attraction in many photos taken with the a film stock like LomoChrome Purple. But in community member @nermantas' photos, human emotions and interactions take center stage, perfectly enhanced but not overshadowed by vivid purple hues.
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Lomography x Perimetro - 36 Shots, One Story: Interview with Giorgia dal Molin
written by ludovicazen on 2024-03-27 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Giorgia dal Molin’s "Ostranenie di Paola", shot on LomoChrome Metropolis film.
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Lomography Community Recap: March 2024
written by bydenise on 2024-04-05 #peopleHere's your monthly dose of the latest happenings in the Lomography Community! From popular LomoHomes to ongoing competitions and more, find out what the community has been up to in March.
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Transform Old Negatives With This Engraving Technique
written by eparrino on 2024-03-26 #tutorialsDisrupt, reimagine and subvert your Lomokino negatives with engravings. Follow this tipster if you dare to animate your frame with etchings that alter and reshape your old footage.
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