Square-Format Art: David Hockney’s Photo Collages

It was 1982. Survivor were number one with Eye of the Tiger, shoulder pads were taking the runways by storm and British artist David Hockney was deep into his exploration of cubism through the medium of photography. Using a Polaroid camera, he created ‘joiners’ — a series of giant pictures made up of square format instant snaps pieced together.

David Hockney, Nathan Swimming Los Angeles March 11th 1982. © David Hockney

Closer to Life Itself

“The joiners were much closer to the way we actually look at things, closer to the truth of experience.” — David Hockney

To look at a frozen snapshot of a subject in isolation is to misrepresent the experience of really looking at something — the vitality of the moment and the eye’s sweeping glance across the situation. In stitching together images from a succession of individual photographs, Hockney created a subtle sense of movement that rippled throughout his collages. The viewer’s eye is guided along the series of images, encouraged to take in the details, acknowledge the three-dimensional realism of the situation and feel the energy of the moment as it happened. It’s art that is closer to life itself — and all thanks to the immediacy of instant images.

David Hockney, Billy & Audrey Wilder Los Angeles 1982. © David Hockney

Positioning Perspective

“By putting the separate perspectives there, the eye is forced to scan. Not everything can be seen at once.” — David Hockney

Each perfectly balanced square frame forms a measurable tile in Hockney's stunning mosaic, becoming a considered component of a cubist composition. Taking just seconds to develop, instant film mimics the art of sight itself — materializing in your hand like a memory imprinting itself on your brain. Practically, this allowed Hockney to position the snapshots immediately, in the presence of the subject, and reflect the authenticity of the moment.

David Hockney, Still Life Blue Guitar 4th April 1982. © David Hockney

Pushing the Boundaries

“Ordinary photography has one way of seeing only, which is fixed, as if there is kind of an objective reality, which simply cannot be.” — David Hockney

That’s why we’re abandoning ordinary photography in the quest for something more — something louder, freer, bursting with energy and glowing with life. We’re paying homage to Hockney and all the other artists who've pushed the boundaries of photography with the Lomo’Instant Square.

Photos by Mum's Not Home, Sanami Kwok, Phyllis and Venus

Fitted with a glass lens that captures every last detail, this foldable box of creativity is packed with fantastic features so that you can take unlimited multiple exposures, keep your shutter open for up to 30 seconds and splash your shots a whole new hue. It even comes with a remote control shutter release that’s perfect for self-portraits. Add the portrait glass lens attachment and you can shoot from as close as 0.5m!

Pick up a Combo Package and you'll get a Lomo'Instant Square Instax Mini Back so that you can bend your perspective even more and shoot on a whole new film format. And don't forget the brand new wide-angle glass lens attachment! Attach it to the built-in lens to capture every last detail in stunning sharp focus. Create your own collage — get a Lomo'Instant Square now from the Online Shop or a Gallery Store near you.

Photos by Kieko Hoshi, Phyllis and Venus, Frank Dautant, francesco_dex_spiga, Sebastian Gansrigler and Luca Font

written by Martha Reed on 2018-03-16 #culture #news #places

Mentioned Product

Lomo'Instant Square

Lomo'Instant Square

The Lomo’Instant Square is the first and only fully analogue instant camera on the planet Earth to produce Instax square pictures. It lets you capture the world in a powerful snapshot while the square frame paves the way for wacky compositions. With a 95mm glass lens (45mm equivalent) and an automatic mode that takes care of exposure, the Lomo’Instant Square makes shooting super sharp, perfectly exposed snaps easy.

More Interesting Articles