We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. Please read our Privacy Policy to learn more. By using this website you agree to the use of those technologies.
I agree.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
Test of the Lady Gray pushed to ISO 800, to see how it appears in low light situations: inside a church, outside at night, or in the evening on a cloudy day.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I went for a visit in the Maison Picassiette, already shown here (last year) : https://www.lomography.com/homes/mackiechartres/albums/2413482-10-2022-la-maison-picassiette
This year, there are new panels in the garden, showing large photos of the house and Mr. & Mrs Isidore, taken by Robert Doisneau. This installation is lovely and really well done, although the exhibition is a little short. But anyway, this place is really a must see and I always have a great pleasure to visit it.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
I took these photos as an exercise, focusing on lighting. I am currently participating in remote workshops with other beginner photographers, under the direction of a professional, who happens to be one of my work colleagues. He gives us practical work from time to time. for these photos taken at night, I used a tripod, an LED lamp that I aimed in different directions, and I took the photos with a cable release and an exposure of 1/30th or 1/15th.
