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A Parisian Weekend With Coline and the Lomomatic 110
2024-03-28 #gear #news #peopleWe recently gave the talented Coline Blf the opportunity to try our new Lomomatic 110. In this interview she tells us about her experience with the pocket-sized camera and shares her fantastic photos!
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Punks, Mods and Skins: Capturing Subcultures on Medium Format Film with Evelyn Kutschera
written by rocket_fries0036 on 2024-03-27 #gear #culture #people #placesBeing fascinated with youth culture and coming-of-age subjects, Evelyn Kutschera captures the alternative lives of Punks, Mods and Skins through medium format film photography.
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Around the World in Analogue: Oaxaca, Mexico
written by sylvann on 2024-03-24 #culture #people #places #around-the-worldFilm photographer Stephen Hutchison captures the vibrancy and diverse culture of Oaxaca, Mexico with color-shifting LomoChrome films in this edition of Around the World in Analogue.
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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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Life of the Party: Ben Fraternale Tries Out the Lomomatic 110
written by alexa_alexiades on 2024-03-21 #gear #peopleLongtime LomoAmigo Ben Fraternale has had the opportunity of testing the Lomomatic 110 throughout its various stages of development, cultivating a special bond with our newest tiny camera. In this shoot, he shared all the 110 fun with his friends for some casual, creative image-making.
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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