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I photographed lightning during a thunderstorm and after screen shots of catastrophic's landscapes but I don't like the results..
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Here's the color stuff I shot of Tori as a mime. I really dig it. She knows how to move and really get the most out of a studio environment even if I am using a rinky dink toy camera and some redscale film. I like the color profile of the redscale in this situation. I think the stuff in the room with the full length mirror has a more carnival feel to it while the material against the studio back with the redscale has a warm retro feel. Shooting Portra was a good idea for the second color roll I think.
Here's the color stuff I shot of Tori as a mime. I really dig it. She knows how to move and really get the most out of a studio environment even if I am using a rinky dink toy camera and some redscale film. I like the color profile of the redscale in this situation. I think the stuff in the room with the full length mirror has a more carnival feel to it while the material against the studio back with the redscale has a warm retro feel. Shooting Portra was a good idea for the second color roll I think.
Here's the color stuff I shot of Tori as a mime. I really dig it. She knows how to move and really get the most out of a studio environment even if I am using a rinky dink toy camera and some redscale film. I like the color profile of the redscale in this situation. I think the stuff in the room with the full length mirror has a more carnival feel to it while the material against the studio back with the redscale has a warm retro feel. Shooting Portra was a good idea for the second color roll I think.
Here's the color stuff I shot of Tori as a mime. I really dig it. She knows how to move and really get the most out of a studio environment even if I am using a rinky dink toy camera and some redscale film. I like the color profile of the redscale in this situation. I think the stuff in the room with the full length mirror has a more carnival feel to it while the material against the studio back with the redscale has a warm retro feel. Shooting Portra was a good idea for the second color roll I think.
Here's the color stuff I shot of Tori as a mime. I really dig it. She knows how to move and really get the most out of a studio environment even if I am using a rinky dink toy camera and some redscale film. I like the color profile of the redscale in this situation. I think the stuff in the room with the full length mirror has a more carnival feel to it while the material against the studio back with the redscale has a warm retro feel. Shooting Portra was a good idea for the second color roll I think.
I love, love, love Lomo's Redscale film. I really do. I wanted to do a set with JoAnn that would highlight this versatile and extraordinary medium and all that it can do in the realm of glamour and nude portraiture. So I fed it lots of reds, yellows and greens at golden hour and couldn't be happier with the results. I got the playful, warm happy vibe I want from my portraiture and it was definitely in part due to this rad film.
The model and I were laughing when she took very spontaneously the pillow to hide her face for joking .. I asked her not to move, I knew I had an original pose for my shot. One of my personal favorite pictures.
I finally invested some time in shooting a toy camera portrait series that included nudes. I am damn happy with how they turned out. Tori was awesome and definitely compensated for my occasionally inane instructions. I asked her to frolic in a miniskirt and a business-casual jacket. Thank God she let me know just how stupid that idea was. It could have shot the whole series. Fun stuff here with the shadows of the lace and barbed wire. Also, the shallow depth of focus makes the trees in the background look down right creepy. My favorites are the final one in the series and the shot where she is looking at her own photo.
I don't usually provide links or info in my descriptions but she's Model Mayhem ID #633806 and is open and receptive to toy cameras. Message her and give her lots of work!
Here is the color stuff I shot of Anna's crazy, insane eyepatch woman outfit. Can I tell you how much I love shooting her? She knows EXACTLY what to do and nails it. I asked her to in some shots to "pretend you were someone who was trying to be sexy but they didn't understand the concept. It is alien and unfamiliar to them."
She owned it. The shots where she is being 'sexy' are so uncomfortable to look at you gotta look away.
Here is the color stuff I shot of Anna's crazy, insane eyepatch woman outfit. Can I tell you how much I love shooting her? She knows EXACTLY what to do and nails it. I asked her to in some shots to "pretend you were someone who was trying to be sexy but they didn't understand the concept. It is alien and unfamiliar to them."
She owned it. The shots where she is being 'sexy' are so uncomfortable to look at you gotta look away.
Here is the color stuff I shot of Anna's crazy, insane eyepatch woman outfit. Can I tell you how much I love shooting her? She knows EXACTLY what to do and nails it. I asked her to in some shots to "pretend you were someone who was trying to be sexy but they didn't understand the concept. It is alien and unfamiliar to them."
She owned it. The shots where she is being 'sexy' are so uncomfortable to look at you gotta look away.
