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Experiment with Kodak 2383. Shot a roll of Kodak 2383 print film ISO approx 1.6 at ISO 50 to see what kind of artistic Shtuff arose. 2383 is color print film designed to print motion picture negatives or digital movies on for a final film print. Never designed to see the light of day or hang out in a camera. There is some discussion that it can be used in daylight to film "night" scenes. The outcome is naturally blue toned. There is some limited room to maneuver, though., These are scanned with canon 9000 and vuescan. Could be better ways to scan? Negatives are dense so I might be missing some richness, but there you go... Developed in Bill Williams C-41 one shot developer modified to ECP-2 with .295 grams of CD-2 in place of the CD-4. Possibly an interesting starting point.... <a href="http://caffenolcolor.blogspot.com/2017/10/bill-williams-cd4-color-film-developer.html" >caffenolcolor.blogspot.com/2017/10/bill-williams-cd4-color</a> «Water 500ml @ approx 112 degrees Sodium Sulfite (A) .5 grams (approx 1/8 tsp) CD2 .295 grams Potassium Iodide 1.8 milligrams Potassium Bromide .25 grams Potassium Carbonate (A) 4 grams (approx 2/3 tsp)» 8 minutes at 105 degrees. finished in ECP-2D process: Stop bath SB-14 for 30 seconds Water rinse Potassium Ferricyanide Bleach 6 minutes Water wash Fixed in sodium thiosulfate and ammonium sulfate non acidic fixer ( Sodium thiosulfate 200g ammonium sulfate 107g) for 6 minutes
With low ISO and a small exposure latitude, this impactful black and white film navigates inter-tonal shifts with ease resulting in rich, low grain depictions with vibrant micro-contrast. The Fantôme Kino B&W Film brings scenes to life, capturing life’s most evocative moments in show stopping black and white splendor. Photo by Banyong Ngamwilai.
With low ISO and a small exposure latitude, this impactful black and white film navigates inter-tonal shifts with ease resulting in rich, low grain depictions with vibrant micro-contrast. The Fantôme Kino B&W Film brings scenes to life, capturing life’s most evocative moments in show stopping black and white splendor. Photo by Banyong Ngamwilai.
With low ISO and a small exposure latitude, this impactful black and white film navigates inter-tonal shifts with ease resulting in rich, low grain depictions with vibrant micro-contrast. The Fantôme Kino B&W Film brings scenes to life, capturing life’s most evocative moments in show stopping black and white splendor. Photo by @edwardconde.
This panchromatic emulsion is perfect for practiced professionals and fledgling photographers alike. Suited for those who like to indulge in sharp detail, low grain and subtle gradient transitions, the Babylon Kino B&W Film captures soft tonal contrast, retaining attributes even in super bright scenarios. Photo by @edwardconde.
Whatever the weather, the Simple Use Reloadable Film Camera + Underwater Case will be your seaside sidekick, beach bum buddy and poolside pal. Dive down to depths of 10m and snap your way through a film of nautical negatives — your aqua expeditions await! Photo by Alexandra Bennett.
Whatever the weather, the Simple Use Reloadable Film Camera + Underwater Case will be your seaside sidekick, beach bum buddy and poolside pal. Dive down to depths of 10m and snap your way through a film of nautical negatives — your aqua expeditions await! Photo by Alexandra Bennett.
Whatever the weather, the Simple Use Reloadable Film Camera + Underwater Case will be your seaside sidekick, beach bum buddy and poolside pal. Dive down to depths of 10m and snap your way through a film of nautical negatives — your aqua expeditions await! Photo by Alexandra Bennett.
Das Farbbild wurde mit einem Schwarzweißfilm aufgenommen. Es entstand aus zwei Schwarzweißbildern. Ein Bild wurde mit einem Rotfilter das andere Bild mit einem Blaugrünfilter aufgenommen. Beide gefärbten Bilder wurden dann übereinandergelegt.
